HSGA Top Menubar

News Archive
Events Archive
Photo Archive
Recordings Archive
Learning Archive

Exit Archive

2000 News
1999 News
1998 News
1997 News
1996 News

©2000 by Ely Music/Pub


Members Corner - Summer '99


Beat Iseli, Switzerland
"I had two local gigs, this past fall and winter, in which I played steel guitar. At the first concert, we played a lot of Rolling Stones songs. I played my Fender lap steel on a song called "Dead Flowers". In January, our "Rocksack" band played a benefit concert to put an artificial lake near Winterthur. The project was voted down, but we had a good time that evening. We played a short Hawaiian set which was well-accepted by the audience. Among the songs were "Kauekapolei ?? Blues", which I dedicated to you, Alan, "Mele of My Tutu E", "How d'ya Do" (from Jerry Byrd's instruction book, in B11th tuning.

"The concert was delayed because I had left my bar and picks at home, and a friend had to go there and pick them up. I was a bit nervous, but very happy with the smooth, full sound of my Fender Stringmaster. As you see, I continue to spread Hawaiian culture here in Switzerland, and practice with Jerry's instruction book whenever I have free time from teaching school." (Beat teaches at the University of Applied Technology on a "very tight schedule". Yup, Alan knows what that's like!)

Bob Stone, Florida
(ED NOTE: FAST HELP PLEASE) "I am interested in getting whatever further information might be available on the Kahanalopua (spelling?) brothers (Jimmy and Jack). Photos would also be great. I would be most grateful for any leads to help establish the Hawaiian connection to the sacred steel musicians. I am co-directing a professionally produced documentary video on the sacred steel tradition through the Arhoolie Foundation. It is scheduled for Fall 1999 release. We hope to get this video aired on Public TV, and will be offering it for sale to the public. I'm working on a book about the tradition, too."

Mike Reader, New Zealand
"Although I was unable to attend the 1999 Honolulu convention, I had an interesting experience after my 1997 trip. I ran into a brass musician I had known for many years, and told him about my trip, which included an in-depth explanation about Hawaiian steel guitar. He said he had a strange looking guitar in his attic which his father-in-law had bought at an auction, along with a box of Honda auto parts, fifteen years previous.

"I was immediately curious, as I suspected it was the HILO steel guitar (see photo of Mike with guitar). My friend had absolutely no use for the instrument, so I "inherited" it on the spot. It was in `as new' condition, with a 25-1/2" scale, and is quite easy to play. When I got the guitar, I was seriously into Jerry Byrd's instruction course, so I got -- and am getting -- immense pleasure from it. I even got the call for a Hawaiian gig -- only about the fourth in thirty years.

"I know nothing about the history of HILO, but would like to hear from anyone who does. The steel is marked Style 625, NO 692, and appears to be identical to one on page 110 of Lorene Ruymar's book. My interest in steel goes back to the 1950's when, as a kid, I heard the magic solos of Jerry Byrd backing Danny Ku`uana. I recall the hair on my neck standing straight up on hearing his 'Kaimana Hila' solo. It certainly turned a five-year-old on to the possibilities of music.

"I have enjoyed a career as a dedicated amateur musician (who usually gets paid) on piano/guitar, but my first love remains the sound of Hawai`i and the steel guitar, which sounds get played on my stereo almost every day."

Al Engler, Illinois
"I want to congratulate you, Alan, on having a very successful convention. This was my first as a new member, and I enjoyed it very much. I feel honored to belong to a guitar association that has a wonderful group of people who make you feel like you belong."

(From Alan: glad you enjoyed your first HSGA convention, Al. Don't miss Joliet in the Fall! The people you should congratulate for the smooth and successful Honolulu convention, are Art and Lorene Ruymar, who have -- for many years -- made it all happen, with the huge, many-months job or work they do, at home in Vancouver BC, to put the event together before they ever get on a plane for Hawai`i. Add all the warm and continuous "on stage" leadership by "regulars" Duke Ching, Bernie Endaya, Mike Scott, Bob and Julie Waters and John Auna and his group, and the incomparable emcee jobs of Art Ruymar, Frank Miller and Bruce Murray, and HSGA is blessed.)





HSGA * HAWAIIAN STEEL GUITAR ASSOCIATION
KAMAKA TOM, President
45-600 KAMEHAMEHA HWY * KANEOHE, HI * 96744
PHONE/FAX (808) 235-4742
EMAIL: hsga@lava.net


Homepage URL: www.hsga.org  (hsga@lava.net)
Last updated: 07/23/02 by Gerald Ross (gbross@umich.edu)